Alesis AM3 Stereo USB Condenser Microphone

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The world’s only handheld stereo USB microphone. The AM3 is a stereo digital microphone for directly recording stereo audio into your computer. You can place the dual-capsule condenser mic into nearly any environment and capture true stereo sound. EASY COMPUTER INTERFACE The AM3 makes computer connection simple, requiring nothing more than a standard USB port on your Mac or PC. A built-in preamplification system coupled with an onboard stereo analog-to-digital converter ensures high quality audio recording to your DAW software of choice. And because the AM3 has a mini-USB jack output, there's no need for complicated interface boxes or timecode alignment between the two sides. One cable is all you need for this digital solution. QUALITY AUDIO CAPTURE The AM3 features a dual-capsule condenser microphone design that enables you to record detailed stereo audio. Wide, 30 – 20,000 Hz frequecy response rivals that of microphones costing tens of times more money! And its studio-ready analog-to-digital conversion creates 16-bit, 44.1 or 48kHz signal. The mic's body even has a gain control for adjusting the input trim with no computer control required. COMPLETE THE PACKAGE The AM3 comes with a free Alesis podcast-hosting subscription enabling you to share your recordings with the world. The AM3 also comes with a carry case, mic clip, and cable.
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Technical Details

- Dual-capsule condenser microphone captures detailed stereo audio
- Internal analog-to-digital conversion at 16-bit, 44.1 or 48kHz
- Front-panel gain slider for input trim
- Single-cable, plug-and-play connection for Mac and PC
- Includes carry case, mic clip, and cable
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MXL V67Q Stereo Condenser Microphone

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MXL is proud to announce the newest addition to the V67 series, the V67Q Stereo microphone. This mic is the perfect addition to the home recording or studio environment. A fixed 90 degree XY pattern delivers a spacious stereo image, but also minimizes loss when translating to mono. The width can be adjusted later with panning if desired, as the left and right signals are delivered on separate balanced XLR connectors. The open tonality of the microphone compliments close micing by capturing the natural reverb of a room, provides an easy solution for drum overheads, and fits nicely under the lid of a grand piano. Follow the link above to hear a sample of the V67Q on guitar as well as other microphone samples.

Type:	Condenser pressure gradient mic two 22mm capsules
Diaphragm:	Gold-Sputtered
Frequency Range:	20Hz-20kHz
Polar Pattern:	90° XY Stereo
Impedance:	100Ω Per Side
Sensitivity:	20mV/Pa
S/N Ratio:	80dB (Ref. 1Pa A-weighted)
Equivalent Noise Level:	14dB (A weighted IEC 651)
Max SPL for 0.5% THD:	132dB
Power Requirements:	Phantom Power 48V ±4V
Size:	47mm x 184mm
Weight:	2.35Lb
Metal Finish:	Gold/Green

Frequency Response

Polar Pattern

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Technical Details

- Studio Quality Stereo Mic
- XY Stereo pattern
- Two externally biased capsules
- 22mm Gold sputtered pressure gradient capsules
- Includes 10ft custom XLR stereo cable
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 "Very good microphone for live stereo recording" 2009-03-07
By P. Verlee (Bangor, ME United States)
I bought this microphone to record piano music, chamber music and choral concerts. This is a serious professional microphone at a very reasonable price. It is stereo, and requires phantom power, which right away limits the devices you record on. You basically have to use pro equipment. It comes with a 5 pin stereo XLR connector cable which is only 10 feet long, You can get longer 5 pin stereo XLR connectors from musiciansfriend, Amazon or B and H photo/video. I use a Marantz CDR-300 recorder, but you could also use a marantz 310, any digital multi-track recorder or pro-tool/mac/digidesign interface box setup. (just make sure the interface box has two XLR inputs). The advantage to using a stereo mike is that it only requires one stand and one cable, and this mike sounds fantastic. You do have to back up from whatever you are recording, because it is very sensitive. Watch your levels when you are recording. It records the entire frequency spectrum, very quiet mike, but also very sensitive, you will hear every sniff and cough. It is a neutral mic, warm enough, and doesn't have a digital "edge" to it. I'm very happy with it. The color scheme is a little loud (I call it my Notre Dame Leprechaun Bling-Bling microphone) but once you get past that, it's a serious piece of electronic recording hardware. My previous microphone was a $200 Sony ECM-957 and I've also used a Rode NT-4 (~$600) this is as good as the Rode, but at one third the price. The MXL V67Q is the same price as the Sony but much better, wider spectrum, more neutrl and quieter. You should get a shock mount (I use the MXL 57) and a good tripod (I have an On-stage tripod, the end of the tripod accepts the MXL 57 shock mount). In summary, you can't do much better than this if you are trying to record classical music in a live venue with a digital recorder that has phantom power and XLR connectors. Highly recommended. for more info, go to www.mxlmics.com.


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