Stage Ninja SMS-12-MB Multi-Positioning Scorpion Series Microphone Mount, Magnetic Base, 12-inch

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Stage Ninja SMS-12-MB 12" Multi-Positioning Scorpion Series Microphone Mount featuring an 80lb Industrial Rated Magnetic Base
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Technical Details

- Best Mic-Stand for All Metal-Grilled Amps and Cabinet Faces..Ever!
- 80 lb. Rated Magnet Provides Solid Mount without Speaker Magnet Interference
- 360 Degree Modular Neck Gives Full "Anywhere" Positioning"
- Quick Set-up/Tear-down Time
- Made in USA
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MXL V6 Silicon Valve Large Diaphragm Condenser Microphone

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Made in America, MXL’s V6 is a large diaphragm, pressure-gradient condenser microphone that provides the warmth and clarity of sound previously available only with vintage tube microphones. The V6 is the first offering in MXL’s new Silicon Valve product line. Made with the finest components and the highest degree of attention to detail, this is the microphone that has the industry doing second takes. The MXL V6 Silicon Valve™ large diaphragm cardioid condenser microphone provides the sound of a tube without the noise and drawbacks of multiple cables and external power supplies. The unique design employs solid-state FET amplifier techniques to simulate what tubes do naturally. The V6 comes complete with microphone clip and wooden case.
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Technical Details

- Cardioid Polar Pattern
- 30Hz-20kHz Frequency Response
- Transformerless Balanced output.
- 6 micron gold diaphragm
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 "A beautiful, very good-sounding microphone" 2008-11-17
By JOSEPH DEROSA (Sparks, Nevada)
I've been performing and recording music for over 25 years. I bought the MXL V6 because it's supposed to sound like a tube mic. I compared it with my Rode NT2A, an excellent LDC (not a tube), and I could not tell them apart! I recorded (into a Roland VS2400) male vocal, acoustic guitar, and violin at different distances, and they sound identical to me. (Maybe better preamps would bring out a difference.) The V6 is slightly hotter by maybe 2 or 3 dB. Keep in mind; that the V6 sounds like the Rode is a good thing, but I was hoping for a warmer, tube-like sound. If you can afford it, get the Rode instead; it's built better and has pattern, filter and bass cut switches. Another similar mic is the Audio-Technica AT3035. I'll say this: The V6 is even more beautiful than it looks in the pictures, and I hate to let it go. My quest for the tube sound continues...


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MXL 56 Microphone Shockmount

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High-isolation Shock Mount for: MXL 2001, MXL 2003 & MXL 2010 (Black)
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Technical Details

- Provides excellent isolation from mic stand noise
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Sennheiser Three Each 815-S Microphones, Clips and Carrying Pouches

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Three each vocal cardioid microphones
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Technical Details

- Metal construction for rugged reliable performance
- Shock mounted capsule for low sensitivity to impact and handling
- Cardioid pickup pattern insulates from other on-stage signals
- Hum compensating coil reduces electrical interference
- On/off switch
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 "Good for an inexpensive mic" 2007-02-10
By Bob From New York (New York)
I have this and the Shure PG-48. I use them with an inexpensive karaoke machine. The Shure PG-48 is a bit louder but produces more feedback when standing near the speaker. The Sennheiser is not as loud (i.e. sensitive), but is does have a cleaner and tighter sound quality. It is also better at reducing feedback.

 "Sennheiser's low-cost e815S dynamic mic is a winner!" 2005-03-18
By Kid Klash (Portland OR)
The e815S is currently Sennheiser's least expensive hand-held (unidirectional) dynamic vocal mic, designed for live performance. It's shape is similar to a Shure SM-58, in that it has an integrated "ball top" wind screen, and a dark gray tapered body. It features an "off-on" switch and a male XLR (balanced, low impedance) output connector.





To compare this mic to another very well known and thought of mic, the e815S has a slightly brighter top end, a less pronounced midrange peak and less low end proximity effect than a Shure SM-58. It also provides a slightly hotter output than an SM-58, probably because of it's neodymium diaphragm design. The diaphragm appears to be mounted very well as it exhibits very little handling noise.





The brighter character of this mic helps a live vocal cut through the "mix" of live instruments. The lower proximity effect (bass boost when held close to the vocalist's mouth), also contributes to a cleaner-sounding signal. The silent off-on switch is a nice bonus too. The cost for this German-made mic is pretty amazing... they can be had in "three packs" for $100, or around $50 for an individual mic.





If you are looking for a good-sounding, durable, low-cost live performance vocal mic, the e815S is definately worth trying out. This is not an inexpensive "knock-off" of another mic; this is a genuine German-made Sennheiser.






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Shure PG57 Dynamic Microphone

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A new series of microphones designed for specific applications and engineered to tough Shure standards, Performance Gear provides a complete vocal, instrument and drum selection, and features many of the same durability and performance attributes of other Shure microphones at an attractive price. Complete with clamps and cables, the PG series microphones are easy to choose and easy to use for any performer or engineer. Plug in and play out! PG 57 - Engineered to Shure’s tough standard, the new Performance Series’ PG 57 is a very versatile microphone designed for amplified or acoustic instruments. Guitar, brass or drum, the PG57 gets your sound across without compromise. Convenient on/off switch for onstage control. Clamp and XLR microphone cable included. Affordable, application-specific microphones. Ideal for everyday use and practice. The perfect introduction to Shure engineering excellence for performers ready to plug in and play out. Performance Gear™ Microphones provide a complete vocal, instrument and drum selection and feature many of the same durability and performance attributes of other Shure microphones at an attractive price. Real gear without compromise. As serious as you want to get.
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Technical Details

- Specifications :^Cardioid^Dynamic^Tailored Response^50 Hz to 15 kHz
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Sennheiser E835-S Lead Vocal Stage Microphone

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The e835 S is a High Quality Vocal Microphone. It has a cardioid pick-up pattern for excellent feedback rejection and uniform on and off axis response. It has a noiseless On/Off switch.
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Technical Details

- Gentle presence boost to even tonal response ensures clarity and projection
- Minimal Proximity effect provides consistently clear bass end performance when singing closer to or further from capsule
- Cardioid pick-up pattern provides good signal isolation and feedback rejection, enabling higher sound levels to be obtained
- Metal construction and internal shock-mount system minimizes handling noise
- Frequency response 40-16,000 Hz, Impedence 350 Ohms
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Blue Microphones enCORE 200 Studio-Grade Phantom Powered Active Dynamic Microphone

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Everything we've learned from years of building the world's best studio recording microphones has gone into the enCORE 200, a studio-grade handheld dynamic microphone designed to deliver exceptional all-around performance, no matter what your application. The enCORE 200's Aria Dynamic Capsule is specially tuned by Blue's capsule engineers to deliver natural vocals, balanced highs, and amazing detail and clarity, with electronically transformed output to provide remarkably high gain. Coupled with Blue's Active Dynamic phantom power circuit, the enCORE 200 is an incredibly versatile tool for live performance as well as studio and broadcasting applications, providing consistent tone and low noise in any setup. The unique, durable finishes and high quality craftsmanship, guarantee your enCORE mic will deliver the performance of a lifetime, for a lifetime of performances. Tech specs include 50Hz to 16kHz frequency response, 147 db SPL, 25 ohms output impedance, and 2.25 mV/Pa sensitivity. Includes soft-grip microphone clip and soft-lined storage pouch.
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Technical Details

- Aria Dynamic Capsule tuned for natural vocals and amazing detail and clarity
- Blues innovative Active Dynamic phantom power circuit delivers consistent tone and minimal noise
- Cardioid polar pattern delivers impressive off-axis noise rejection even at high volumes
- Blues proprietary capsule mount delivers minimal handling noise without pads or filters
- Includes soft-grip microphone clip and soft-lined storage pouch
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